4/20/11

The Hipster in the Mirror by Marc Greif

Interesting NYTimes article that's being passed around, even though it was written last November!

4/10/11

Janos Stone: Ubiquitous at Slag Gallery

Ubiquitous an exhibition of new art at the Slag Gallery, opens Thursday, April 14th from 6-8pm. The show features Janos' recent hand-carved and inkjet printed wall sculptures.

The gallery is located at 531 West 25th St, in Chelsea, NY

Through May 7th.

Audra Wolowiec participating in:

JASON ANDREW + NORTE MAAR present:

IN THE USE OF OTHERS FOR THE CHANGE
a new ballet in three movements by Julia K. Gleich

http://www.nortemaar.org/newgleichballet.html

featuring collaborations with:
Audra Wolowiec (sound)
Austin Thomas (set)
Kevin Regan (text)
Andrew Hurst (sound / performance)

BROOKLYN, NY - Jason Andrew and the creative team of Norte Maar unite
the visual, literary, and performing arts in a new ballet by Julia K.
Gleich. With a slew of Bushwick artists ranging from visual to
sculptural, textual to musical, Norte Maar presents a new ballet
choreographed by Julia K. Gleich. The ballet titled, In the Use of
Others for the Change, will premiere with a benefit performance for
Norte Maar at the Center for Performance Research, (361 Manhattan
Avenue, Brooklyn) on April 14 at 7:30PM. Performances will continue
April 15 and 16 at 7:30PM. For tickets and more information call
646-361-8512 or visit www.nortemaar.org.

April 14 (Benefit Premiere) at 7:30PM
Tickets $60 BUY TICKETS www.nortemaar.org

April 15 + 16 at 7:30PM
Tickets $20 BUY TICKETS www.nortemaar.org

Center for Performance Research (CPR)
361 Manhattan Avenue
Brooklyn, NY

$ SUPPORT THIS COLLABORATIVE BALLET $

4/2/11

PAINTING WITH PICTURES 2 curated by David Gibson


Opening Thursday April 7 @ 7pm-10pm:
Amanda Browder is a participating artist in this new exhibition at Artjail:
50 Eldridge Street, 6th floor New York, NY 10002 LES
PAINTING WITH PICTURES 2


This exhibition explores the use of collage as an artistic medium, dissecting its impulses and agendas while providing a wide cross-spectrum of its usage in contemporary art. It addresses the role of material culture in mediating our shared view of reality, the notion of a borrowed aesthetic, and how specific visual agendas express differing cultural attitudes. It includes a variety of mediums and aesthetic agendas, presenting not only traditional collage, but works which establish a collage mentality in the liminal forms of photography, video, digital manipulation, painting, sculpture, printmaking, children’s books, commercial signage, portraiture, and others. In the end, it will posit collage as a cause, rather than a symptom, of both artistic style and generational meaning.